Shift-Space and now you can quickly find any command you need. The idea is that you press a key combo and then have a ‘global search’ of sorts. Windows search is terrible in comparison. If you’re not a macOS user, then may not know the beauty of spotlight (or Alfred!, which is what I use). Version 10 has been excellent, minus some GUI weirdness on occasion. Most importantly, the Windows version is finally usable I think. This isn’t the sort of thing that MOTU advertises very well, but by my account there’s nearly 100 bug fixes over DP9.5. Things I hate about Digital Performer.( I switched to Cubase in while waiting for DP10 if you don’t remember.) Let me walk you through what I like about DP 10, and why I’m back to using DP10 as my main driver. It’s just the things I like about the update. I hate duplicating content and I avoid it if possible. I had a bunch of prepared content for DP10, but it appears that other press, including MOTU, managed to cover the same topics I was going to. A bright call light indicates an incoming call to all daisy-chained Performer devices.A while ago I wrote a bit of an article about what I hated in Digital Performer. The C3 is easy to configure and also features a call send button. Pushing on the A or B volume control toggles talk on/off with momentary/latching operation to the respective channel and includes talk LED indication. Two large rotary level controls on the top of the C3 adjust the listen volumes for CH-A and CH-B. The C3 has three XLR connectors, one for headset, one for signal input and one for signal loop through, which can also be used as an additional analog program input. Extensive DSP signal processing provides perfect sidetone-nulling and excellent intelligibility in applications with very high ambient noise levels. The beltpack uses high-quality digital audio for noise-free and hum-free signals. The Performer C3 is an ergonomically shaped, fully digital 2- channel beltpack that includes all the standard features from conventional analog partyline systems including daisy-chaining. The CR-4/CR-2 can be operated using a headset or the integrated powerful loudspeaker with a gooseneck microphone. Other features include individual listen volume controls for all partylines, Call and GPI, and a stage announce function to use the intercom microphone to talk over the PA system. The CR-4/CR-2 features an additional program input that can be mixed individually to each of the intercom channels. The remote mic-kill function allows the user to silence any open microphone on the intercom channels. The colour-illuminated buttons are ideal for applications in real-world environments. The clear user interface provides the user with ultimate performance and flexibility. Additional power supplies easily expand the possibilities. Depending on the set-up the integrated power supply of the 19”/1RU device can power up to 32 Performer devices per line including beltpacks, split-boxes or desktop speaker stations. The Performer master stations CR-4 (4-channel) and CR-2 (2-channel) are the ideal choice for setting up a stand-alone digital partyline system.
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